![]() This limiter works without destroying the tone and is True Peak compatible. The strength of this model lies in the flexibility with which it controls transient peaks. It includes a section for manipulating the timbre and a section dedicated to dithering. They are essential toosl to increase the loudness of a recording and this limiter is very versatile in that respect. In the field of digital audio limiters are essential and prevent unintentional clipping. So three virtual electrical transformers that all offer unique distortion and different dynamic control. Three options are available: Nickel, Iron, and Steel. ![]() ![]() Ultimately the compression may be either transparent or more colored. This compressor integrates, in the same unit, two steps to control the dynamics. In mastering, it is not uncommon to integrate two compressors in series to control the dynamics of a song. The Chandler Limited Curve Bender can also be purchased in a non-UAD version (so without the need for dedicated DSPs) via Softube directly or one of the official resellers like Plugin Boutique. The ability to treat the left side and the right side differently adds a lot of width to the sound image (remember to disable the LINK CHANNELS button). A powerful tool for filtering bass that is below the audible spectrum or to increase the presence and aggressiveness of a mix in the mids. ![]() A great way to add tonal character and retro flavor to a project without compromising the clarity and punch of a modern recording. Special mention to the Stereo Width which is a great way to expand the sound image.īrainworx plugins can also be purchased in a non-UAD version (so without the need for dedicated DSPs) on the Plugin Alliance website.Ģ) Chandler Limited’s Curve Bender EQ (Softube)īased on the EMI TG12345 Equalizer from Abbey Road Studios, a classic that has shaped Pink Floyd’s Dark Side of the Moon albums and Beatles’ Abbey Road, this emulation has been very successful. The Mono-Maker offers absolute control over the punch and low frequency stability in the center of the sound image. The frequency response extends up to 40 kHz so it’s possible to add air, shine and sparkle to a mix. To control the sibilance, rather than just de-esser, they use a transparent dynamic equalizer. To operate it there are two options, M / S and L / R. At first glance this plug-in may seem somewhat counter-intuitive but it’s effectiveness has been proven and this tool is now being used in the chain of effects by the best techs out there. ![]()
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